Benvenuti all'Elat Market, una specie di "hard discount" kasher a Los Angeles, dove con mio padre e mio fratello ci siamo trovati fra la gente - molti di loro dalla comunità persiana - che freneticamente acquistava una galassia dei prodotti rigorosamente Kasher per Pesach. Lì e in altri negozi della zona abbiamo comprato anche noi matzot, cetriolini, rafano, un pollo per la minestra, e pesce macinato (per il babbo, cui piace preparare un gefillte fish vero e proprio). Mia nonna, la mamma del babbo, che era nata vicino Cernowitz, nel vecchio impero dell'Austria Ungheria, era immigrata in America da bambina, prima della Prima Guerra Mondiale. Aveva vissuto a lungo prima della sua morte a Los Angeles, e adesso diversi altri miei parenti vivono attorno alla metropoli californiana. Ogni volta che ci vado, mi rendo conto - con un po' di stupore - che nell'area di Los Angeles si trovano più ebrei di quelli che si trovano in tutta la Francia. Più o meno venti volte il numero degli ebrei che vivono oggi in Italia.
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My exploration of Jewish tourism and Jewish kitsch usually centers on what I find in Europe, and in particular eastern and central Europe. In my book Virtually Jewish: Reinventing Jewish Culture in Europe and elsewhere I've written about the Jewish knickknacks and sometimes unsetting Jewish trinkets you can find in Krakow, Prague, Kiev and elsewhere -- mainly places where few Jews live and where the main market for such keepsakes and imagery is non-Jewish.
I've also written about "the ambiguities inherent in the popular visual representation of Jews in a world that straddles the Jewish and non-Jewish community and where stereotypes and shorthand often take the place of nuanced definitions. Boundaries between insider and outsider, believer and non-believer, devotee and ironic observer can sharply delineate the differences between kitsch and caricature, art and artifice, stereotype and homage. But perspectives shift, and the boundaries often blur. The images and their meaning are often decidedly in the eye of the beholder. And they are frequently dictated by changing religious realities, philo-Semitic, often engineered nostalgia, and the powerful exigencies of the marketplace. "
This all sprang vividly to mind today, the day before the eve of Passover, when I went with my father and brother to shop for Seder supplies in a Jewish neighborhood in Los Angeles. We went to the "Glatt Market" and a kosher fish store; Eilat Market and a seedy Kosher butcher shop with a broken screen door and miserable looking meat.
The nice man in the fish store (long black beard, thick black-framed glasses, large black head-cover) ground up the carp, pike and whitefish on the spot, and while he was doing so I took a few minutes to explore the Judaica shop just down the street.

The shop was filled with an almost indescribable array of kitsch, much of which would be considered extreme even anti-semitic stereotype if found on sale elsewhere. I zeroed in on a couple of items. One, a ceramic salt and pepper shaker combo, one shaker a figure of a dancing Jewish man, the other his dancing wife, both dressed in shtetl attire. A number of other items including an elaborate Seder plate with figurines decorating bowls for the ritual items, were clearly made by the same hand (or, rather, manufacturer) -- in China.... the salt and pepper shakers cost $15, but -- just as I could not bring myself to buy cowboy boots made in China a couple years ago in Texas, I simply could not buy Judaica made in China.
Among the other items that caught my eye were wooden figurines of Jewish musicians obviously imported from Poland -- they were not only musicians, but they "shockled" or bobbed their heads and even legs. One small one was left, and two big ones. The proprietress of the store, a Persian-Israeli, said she had one client who routinely bought up all the small ones....
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Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts
Wednesday, April 1, 2009
My latest Moked comment (in Italian)
My latest comment on moked.it is from Los Angeles, where I was at Passover last year and went shopping in the Orthodox Jewish neighborhood on Pico near Robertson with my father and brother Frank:
Friday, April 18, 2008
Jewish Kitsch/Kitschy Jews
My exploration of Jewish tourism and Jewish kitsch usually centers on what I find in Europe, and in particular eastern and central Europe. In my book Virtually Jewish: Reinventing Jewish Culture in Europe and elsewhere I've written about the Jewish knickknacks and sometimes unsetting Jewish trinkets you can find in Krakow, Prague, Kiev and elsewhere -- mainly places where few Jews live and where the main market for such keepsakes and imagery is non-Jewish.
I've also written about "the ambiguities inherent in the popular visual representation of Jews in a world that straddles the Jewish and non-Jewish community and where stereotypes and shorthand often take the place of nuanced definitions. Boundaries between insider and outsider, believer and non-believer, devotee and ironic observer can sharply delineate the differences between kitsch and caricature, art and artifice, stereotype and homage. But perspectives shift, and the boundaries often blur. The images and their meaning are often decidedly in the eye of the beholder. And they are frequently dictated by changing religious realities, philo-Semitic, often engineered nostalgia, and the powerful exigencies of the marketplace. "
This all sprang vividly to mind today, the day before the eve of Passover, when I went with my father and brother to shop for Seder supplies in a Jewish neighborhood in Los Angeles. We went to the "Glatt Market" and a kosher fish store; Eilat Market and a seedy Kosher butcher shop with a broken screen door and miserable looking meat.
The nice man in the fish store (long black beard, thick black-framed glasses, large black head-cover) ground up the carp, pike and whitefish on the spot, and while he was doing so I took a few minutes to explore the Judaica shop just down the street.
The shop was filled with an almost indescribable array of kitsch, much of which would be considered extreme even anti-semitic stereotype if found on sale elsewhere. I zeroed in on a couple of items. One, a ceramic salt and pepper shaker combo, one shaker a figure of a dancing Jewish man, the other his dancing wife, both dressed in shtetl attire. A number of other items including an elaborate Seder plate with figurines decorating bowls for the ritual items, were clearly made by the same hand (or, rather, manufacturer) -- in China.... the salt and pepper shakers cost $15, but -- just as I could not bring myself to buy cowboy boots made in China a couple years ago in Texas, I simply could not buy Judaica made in China.
Among the other items that caught my eye were wooden figurines of Jewish musicians obviously imported from Poland -- they were not only musicians, but they "shockled" or bobbed their heads and even legs. One small one was left, and two big ones. The proprietress of the store, a Persian-Israeli, said she had one client who routinely bought up all the small ones....
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